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How to Mic Handpans?

A handpan is one of those instruments that sounds the best raw in an ambient setting. At many times, we are however required to play to a larger audience. Choosing the right sound setup is essential in this case. Translating the sound from a handpancapturing all its harmonics and reproducing it perfectly is a constant challenge that all artists face. Here’s an article on how to mic your handpan. This will help you choose the right system; whether you’re playing a sundowner after a party or recording from a small studio:

Microphones that work for Handpans

A Handpan is a percussive melodic instrument – you’re producing different scales, sometimes as wide as two octaves. If you’re playing to an audience for sound healing or meditation; then, you’d would want the harmonics to be heard clearly, the sustain to be long and add a reverb optionally. Depending on whether you’re doing this: by the sides of a beach or in a closed auditorium, we recommend these two options –

Small Diaphragm Condensers
Use two small diaphragm condenser microphones on either side of the handpan. You can also add one kick mic (dynamic mic) below the gu hole to amplify the bass. A distance of about 40 cm- 50 cm for the mics from the instrument is recommended. This will help kill any slap sounds on the notes. Placing both the condenser microphones at the same distance from the handpan is essential. This will ensure a balanced sound as well as to cancel out any phase differences.
Contact Microphones
Contact microphones have also been famous for playing Handpans live; when played percussively and passed through a mixing system that can add reverbs/ effects for you – consider it a party! There are serval types of contact mics; those that clip on to the rim of the handpan, and others – single or a pair of contact mics. You can pair these with a small mounted condenser for a wholesome experience. The contact microphones can be placed in the interstitial between the notes or on the bottom shell.

You would also need a pre-amplifier set up with your microphones. We recommend that you always carry one yourself or request sufficient time for setup with your sound engineering team. If you’re playing with other instruments such as a didgeridoo or a violin, ensure that there is considerable space between your mics and these to prevent bleeding from other louder musical instruments. Before starting your recording session, play your handpan at the loudest you will and check the feedback to ensure that no sounds get clipped off. Adjust your gains so that your loudest playing is still 3dB below the maximum sound that your system can capture.

Solo Performance
For Soloists who prefer the truest and the cleanest sound of the Handpan in their recordings, both in an outdoor as well as an indoor or studio environment, a pair of small diaphragm condenser microphones with a kick mic would be the way to go. If you’re playing along with other acoustic instruments that are generally low volume such as a flute, violin or acoustic guitar, this setup would still work for you as long as you use in-ear monitors to prevent unwanted feedback.
Band Players
Handpan players who play up-tempo music along with loud instruments such as an electric guitar, djembe or drums or in noisy public spaces like open auditoriums and festival stages would need high quality pick up microphones. Experts across the world agree that choosing the right pick up mic is tricky – since many contact microphones amplify percussive slaps or highs rather than melodic sounds – mids and lows. The sound from a pick up mic should be adjusted by setting higher gains for your mids and lows, and lower gains for your highs. This often requires the support of a skilled audio engineer who understands the sound of a handpan and is familiar with the acoustics of the environment.

A really good sound setup for a Handpan is as costly or even costlier than the handpan itself – however you need to consider it as an investment rather than a luxury.  If you’re a casual player or strictly play only in closed rooms or studios – we recommend skipping the mic system itself. Get your audience to sit around you, close their eyes and immerse themselves in the experience.

Indoor Performance
If you will be recording or playing live from home and like a portable and pocket friendly solution – you can buy a handy recorder. Several artists who perform online record audio using a Zoom H4n and video using their smartphones. Since these recorders have built-in sound cards and memory they eliminate the need for an external soundcard connected to a laptop. This setup costs only INR 20,000 and is the most economical option.
Outdoor Performance
For larger venues and serious live performances, a more professional microphone setup is highly recommended. A matched pair of small diaphragm condenser microphones combined with a kick microphone, all phantom powered and pre-amplified allows the full tonal range and resonance of the handpan to be captured accurately. Integrate with a mixer, using high-quality XLR cables and connectors to maintain a low-noise signal chain. A professional live performance setup with microphones, stands, cables, and audio equipment typically costs INR 60,000.
Label Recording
Use a matched pair of small diaphragm condensers similar to outdoor performance. Since handpans are naturally low-volume instruments, higher gain settings are often needed, and poor-quality preamps can introduce unwanted buzzing or humming noises. Depending on the components chosen, a recording setup with microphones, stands, cables, and audio equipment typically costs INR 120,000.

Brands That We Use

Here at Chirp Handpans, we use a pair of LineAudio CM4 condenser microphones along with Zoom F4 field recorder. In case you do not get Line Audio CM4, we recommend a matched pair in Rode NT5

For recording on the go, use a Shure MV88+ video kit. This is an affordable and a portable solution that delivers high quality audio for most social media content creators.

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